The Lion Monument - a short history
The
Lion Monument in Lucerne,
the most sentimental of Swiss Monuments, commerates the Swiss mercenaries
who, serving the French King Louis XVI, lost their lives
during the French Revolution at the Tuileries Palace in Paris.
Many were killed during the invasion of the Tuileries on
the 10th August 1792 while others were guillotined on the
2nd and 3rd September 1792. The inscription above the Lion
reads "Helvetiorum fedei ac Virtuti" which translates
as "To the loyalty and bravery of the Swiss." A
fitting tribute.
Carved into the cliff face, the monument measures a staggering 10 meters in length and and six meters in height. Captain Carl Pfyffer von Altishofen commissioned the Lion Monument which, in turn, was designed by the Danish classicist sculptor Bertel Thorvaldsenwhilst in Rome in 1819. Lucas Ahorn, a stone-mason from Constance in modern day Germany, carved the sculpture out of the limestone cliff face in 1820 and 1821.
At the time of the French Revolution, Swiss Mercenaries, along with agriculture and town-crafts, were an important and gainful trade during the Ancien Regime as a whole with as many as 40,000 serving under foreign banners when the French Revolution started in 1789.
The Monument was inaugurated on the 10th August 1821 and was purchased by the town of Lucerne in 1882.
The
Lion lies in his lair in the perpendicular face of a low
cliff − for he is carved from the living rock of
the cliff. His size is colossal, his attitude is noble.
How head is bowed, the broken spear is sticking in his
shoulder, his protecting paw rests upon the lilies of France.
Vines hang down the cliff and wave in the wind, and a clear
stream trickles from above and empties into a pond at the
base, and in the smooth surface of the pond the lion is
mirrored, among the water-lilies.
Around about are green trees and grass. The place is a sheltered, reposeful woodland nook, remote from noise and stir and confusion − and all this is fitting, for lions do die in such places, and not on granite pedestals in public squares fenced with fancy iron railings. The Lion of Lucerne would be impressive anywhere, but nowhere so impressive as where he is.
− Mark Twain, A Tramp Abroad, 1880
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