The
Battle of Saint Queintin was won by the Savoy on the 10th
of August 1557, the feast day of St Lawrence. In commemoration,
Emanuele Filiberto had the Church of the Holy Mary and Crib
(formerly Madonna of the Snows) restored and rededicated
to St Lawerence. The design and construction of the Church
was given over to Guarino Guarini, a Theatine priest from
Modena in 1666. Guarino Guarini celebrated the inaugral mass
on the 11th of May 1680.
With a façade very much cohesive with the other civil
buildings of the Piazzetta Reale, the Royal Church of San
Lorenzo is distinguished by it's cupola.
The mian entrance to the church is through the Oratory of
Our Lady of Sorrows which was restored in 1846 which formed
the nave of the old church Holy Mary of the Crib. Eight convex
sides open into concave chaepls with lateral altars. Above
four pendentives, a gallery with eight oval shaped windows
between eight pillars which form the base of the ribs of
the vaulting. The ribs crossing forms and eight-pointed star
and the lantern dome rises from the octagon.
The richly decorated polychrom marble altars are also to
the design of Guarini under various courtly patrons.
The Church of San Lorenzo, as the Church of the Holy Mary
and Crib, is also known as having been the temporary home
of the Holy Shroud after it was relocated from Chambéry
to Turin in 1578.
The design by Guarini, uses many of the structural and decorative
mechanisms and tools of the Baroque age which aimed to to
visually overwhelm the visitor to the Church - a reminder
of the supremacy of the Church. In this, Guarini has managed
magnicently. In a fairly compact space for a Royal Church
much has been poured in both decorativly and structurally
and this whirlwind is to be admired.
Turin - The Royal Church of San Lorenzo
With a façade very much cohesive with the other civil buildings of the Piazzetta Reale, the Royal Church of San Lorenzo is distinguished by it's cupola.
The mian entrance to the church is through the Oratory of Our Lady of Sorrows which was restored in 1846 which formed the nave of the old church Holy Mary of the Crib. Eight convex sides open into concave chaepls with lateral altars. Above four pendentives, a gallery with eight oval shaped windows between eight pillars which form the base of the ribs of the vaulting. The ribs crossing forms and eight-pointed star and the lantern dome rises from the octagon.
The richly decorated polychrom marble altars are also to the design of Guarini under various courtly patrons.
The Church of San Lorenzo, as the Church of the Holy Mary and Crib, is also known as having been the temporary home of the Holy Shroud after it was relocated from Chambéry to Turin in 1578.
The design by Guarini, uses many of the structural and decorative mechanisms and tools of the Baroque age which aimed to to visually overwhelm the visitor to the Church - a reminder of the supremacy of the Church. In this, Guarini has managed magnicently. In a fairly compact space for a Royal Church much has been poured in both decorativly and structurally and this whirlwind is to be admired.
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